To be in front of an image, besides a photography, and not to know at what we look …
Les métamorphoses : de la grille jusqu’au vide evokes this moment of dizziness which makes us look for the weft, for the recurrence, for the scale. In the idea to find an indication, whether it is to base of the sense there, a story : for example
the one who would want that it is about the photography of a window in a room in Bratislava in which Nicolas H Muller stayed. Or on the contrary in the idea to escape the meaning, by making the bend by the abstraction or by a moment of pure perception activated by the repetition, the motive, the pattern. But the repetition is degraded here (literally as figuratively) and comes to represent the motive for the window-pane of typically Slavic glass, Pattern playing the indication deceitfully abstracted from this duet of works, which feels our marks orthonormal as our criteria of representation.
Isabelle Delamont, about the work showed in Black Session BD Richard Lenoir, Le Commissariat, Paris
Nicolas H Muller 