Portfolio (En) ⎪ Dossier (Fr)
All-in-Whole 2
Détail – All-in-Whole 2
Détail – All-in-Whole 2
Samedi 22 avril 2017
Mardi 2 mai 2017
Samedi 12 novembre 2016
Détail – Report de rien (Avidyā), 2017
Report de rien (Avidyā), 2017
Les conséquences, 2017
Les conséquences, 2017
Les conséquences, 2017
Les conséquences, 2017
Les conséquences, 2017
Sérigraphie, 2016
Les solitudes, 2016
Détail – Les solitudes, 2016
Trois triangles : intersection de points, de lignes, de plans, 2016
Lundi 2 janvier 2017
Auf die Ehre der Taube, 2016
Auf die Ehre der Taube, 2016
Détail – Auf die Ehre der Taube, 2016
Le voyeur, 2016
All-in-Whole, 2015
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Les belles maculées, 2016
Pattern 17, 2016
Samedi 12 novembre 2016 1/2
Samedi 12 novembre 2016 2/2
Pattern 13, 2016
Totem Taboo, 2016
Totem Taboo, 2016
Dimanche 6 novembre 2016
Dimanche 2 octobre 2016
Sérigraphie, 2016
Easy work including a clever aspect in itself, 2016
Pattern 16, 2016
Pattern 14, 2016
Superposition de deux œuvres sérigraphiées après deux étapes de leurs réalisations, 2016
– The happening – Fuck you Columbus – Four ways around, 2016
Pattern 15, 2016
Solitudes, 2012 – 2016
Solitudes, 2012 – 2016
Solitudes, 2012 – 2016
Vue de AIR à Ursula Krinzinger Projekte, Vienne (Autriche)
La palette du précédent mec, différents restes de peintures sur verre, encadrée, 53 x 35,5 cm, 2015.
Pattern (la solitude du ciel), peinture acrylique et graphite sur bois, 160 x 100 cm, 2015.
Vue de AIR à Ursula Krinzinger Projekte, Vienne (Autriche)
Vue de AIR à Ursula Krinzinger Projekte, Vienne (Autriche)
Une rencontre, posca su verre, clou et poutre, 40 x 30 x 30 cm, 2015.
De jours comme de nuits… peinture acrylique sur bois, photographie dans une caisse américaine, 55 x 100 cm (photographie) et 90 x 120 cm (bois), 2015.
Vue de AIR à Ursula Krinzinger Projekte, Vienne (Autriche)
– The happening ; Fuck you Columbus ; The Mountain, œufs en équilibre sur bois, dimensions variables, 2015
– The happening ; Fuck you Columbus ; The Island, œufs en équilibre sur bois, dimensions variables, 2015
– The happening ; Fuck you Columbus ; The Cliff, œufs en équilibre sur bois, dimensions variables, 2015
Vue de AIR à Ursula Krinzinger Projekte, Vienne (Autriche)
– The happening ; Fuck you Columbus ; The Cliff, The Mountain, œufs en équilibre sur bois, dimensions variables, 2015
– The happening ; Fuck you Columbus ; The Mountain, œufs en équilibre sur bois, dimensions variables, 2015
(detail) – The happening ; Fuck you Columbus ; The Mountain, œufs en équilibre sur bois, dimensions variables, 2015
– The happening ; Fuck you Columbus ; The Cliff, œufs en équilibre sur bois, dimensions variables, 2015
(detail) – The happening ; Fuck you Columbus ; The Cliff, œufs en équilibre sur bois, dimensions variables, 2015
Pattern (digression 1), mine de plomb, acrylique, bois, 50 x 80 cm, 2015
Pattern (digression 2), acrylique, bois, 50 x 80 cm, 2015
Pattern (digression 3), platre, bois, 50 x 80 cm, 2015
Pattern (digression 4), vinylique, corde, bois, 50 x 80 cm, 2015
Dimanche 26 avril 2015
Pattern (bubble), diamètre 80 cm, acrylique sur papier bulle, 2015
Vendredi 12 juin 2015
Dimanche 21 juin 2015
Dimanche 12 avril 2015
Dimanche 14 février 2016
Dimanche 14 février 2016
Une place au soleil, 2014, 70 x 100 cm
Dimanche 19 avril 2015
Mardi 16 juin 2015 2/2
Mardi 16 juin 2015 1/2
global view
global view : – Digressions around a pattern – Pattern (loneliness of the sky)
global view
global view : – Digressions around a pattern – Pattern (loneliness of the sky) – All-In-Whole – The leftovers 1
Dimanche 27 septembre 2015
– The happening – Fuck you Columbus – The cliff ; The Island ; The mountain eggs on logs, variable dimensions, 2015
– The happening – Fuck you Columbus – The cliff ; The Island ; The mountain eggs on logs, variable dimensions, 2015
– The happening – Fuck you Columbus – The cliff ; The Island ; The mountain eggs on logs, variable dimensions, 2015
– The happening – Fuck you Columbus – The cliff ; The Island ; The mountain eggs on logs, variable dimensions, 2015
– The happening – Fuck you Columbus – The cliff ; The Island ; The mountain eggs on logs, variable dimensions, 2015
Pattern (loneliness of the sky) acryl paint and pencil on wood, 160 x 100 cm, 2015
Digression around a pattern (3), acryl paint and pencil on wood, 80 x 50 cm, 2015
Digression around a pattern (1), acryl paint and pencil on wood, 80 x 50 cm, 2015
Digression around a pattern (2), acryl paint and pencil on wood, 80 x 50 cm, 2015
The leftovers 1 spray paint on wood, 130 x 130 cm, 2015
The leftovers 2 spray paint on wood, 90 x 60 cm, 2015
The beautiful mistakes (1,2 & 3) paper, glass, wood, 34 x 46 cm (1), 65 x 32 cm (2), 25 x 34 cm (3), 2015
for days and nights… acryl paint on founded wood and framed photography, 50 x 100 cm (photography) and 80 x 120 cm (wood), 2015
All-In-Whole, spray paint on working clothes, 180 x 150 cm, 2015
The previous guy’s palette various paints on glass, framed, 53 x 35,5 cm, 2015
An encounter, posca on glass, nail and log, 40 x 30 x 30 cm, 2015
Tutor acryl paint on wall and snow cautious sign, variable dimensions, 2015
…comme de nuit…, 2015, 50 x 100 cm
Proud of himself, little pink was staring far ahead, while the blobfish and the talking log were having intercourses styrofoam, roughcast, chicken grid, log, 160 x 100 cm, 2015
Proud of himself, little pink was staring far ahead, while the blobfish and the talking log were having intercourses styrofoam, roughcast, chicken grid, log, 160 x 100 cm, 2015
Proud of himself, little pink was staring far ahead, while the blobfish and the talking log were having intercourses styrofoam, roughcast, chicken grid, log, 160 x 100 cm, 2015
magasinage, intervention sur la revue code 2.0, 2013
the skin, oil painting « skin pink » color, 100 x 100 cm, 2014
Immutable blue of noon
Mimetism, 2014, 100 x 75 cm
Olympia, the sky above my head while at the peak of Mont-Blanc
Olympia, the morning of the lady’s Mont-Blanc ascension
Olympia, the sky the day before the lady’s Mont-Blanc ascention
Olympia, the sunset on the 30th of march
Exhibition view
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
the space
Ladylike, installation, 2014
Ladylike (detail) installation, 2014
dialectism, oil painting, 2012
Les métamorphoses : de la grille jusqu’au vide, 2011, 50 x 50 cm
Mona Lisa 2013, 2013, 100 x 75 cm
Pattern, wood, acrylics paints, 100 x 67 cm, 2010
dialectism, oil painting, 2012
Tuteur, street’s sign – the wood stick – put against a wall painted with the very same pattern – orange and black stripes – acrylic, variable size, 2012
Revolution. centring element used as a compass to engrave circles on the wall
Multiverse, Revolution. detail
Multiverse, Revolution. centring element used as a compass to engrave circles on the wall
Atelier’s painting, time, several material left by the previous artists on the soft goods wallpaper of my atelier in Vienna100 x 100 cm, 2012
Ohne Titel, 2012, 50 x 70 cm
Water Concurrence, photography of a water damaged house ona water damaged peace of wood, 50 x 75, 2010
The fallen angel, plaster, carpet, straps, 65 x 120 x 80 cm, 2010
Revolution. centring element used as a compass to engrave circles on the wall
Revolution (detail)
Revolution. centring element used as a compass to engrave circles on the wall
Revolution (detail)
Les rencontres
Impressions N&B, 2012, 100 x 75 cm
From Here To There, circle neon lamp, 2010
Once Upon A Time, framed photography, 50 x 100 cm, 2010
Déviation, 2012, 100 x 75 cm
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
![«C’est bizarre... Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. [...] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19), photographie du pic de Bugarach dans une caisse américaine, bloc de fonte trouvé dans la rue, 45 x 60 cm et 20 x 10 cm, 2010](https://i0.wp.com/nicolashmuller.com/wp-content/uploads/2013/06/cest-dingue1.jpg?w=186&h=136&ssl=1 "«C’est bizarre... Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. [...] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19)")
«C’est bizarre… Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. […] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19), photographie du pic de Bugarach dans une caisse américaine, bloc de fonte trouvé dans la rue, 45 x 60 cm et 20 x 10 cm, 2010
Cette après-midi là…, peinture aquarelle trouvée, cimaise ajoutée dans l’espace, 2010
Cette après-midi là…, peinture aquarelle trouvée, cimaise ajoutée dans l’espace, 2010
Cette après-midi là…, peinture aquarelle trouvée, cimaise ajoutée dans l’espace, 2010
Birdie, computer open on 3D software in which a bird is drew, size of laptop, 2010
Birdie (detail)
Cosmic spectrum green, the wrong average color of the universe, wall painting while HIC exhibition at Villa Arson center of art, 2010
The average colors of the universe, paints edition of the different average colors of the universe calculated by the NASA
Les hommes de l’ombres découpant de la fonte au chalumeau, 2011, 50 x 70 cm
Revelation (detail)
Revelation, ink on glass, light spot, variable size, 2012
The Apocalypse of St Morris/ DIE Florient Pugnaire, wood, 160 x 86 x 86 cm, 2011
The Apocalypse of St Morris/ DIE Florient Pugnaire, wood, 160 x 86 x 86 cm, 2011
In context, letter from the director of the musée de l’école de médecine militaire de Rochefort of the object that result of my intervention there, 2008
The Fake Wall, print on PVC reproduces the wall of a building below a restoration site, fixed on a canvas 100 x 100 cm and hang on a plaster « plug » placed to subdue the space, 2012
The Wall, print on PVC reproduces the wall of a building below a restoration site, fixed on a canvas 100 x 100 cm, 2012
View from the north’s window of the Villa Cameline, north’s window of the house took off and framed, a new glass was exchanged with it, 90 x 40 cm, 2010
Out of time, man, Atelier BFN, Romainville
Statement, polaroid into a square « Marie louise », frame, 30 x 30 cm, 2010
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
The Wall, installation with The strategy of waiting, the picture of an 1945’s soldier, Ohne title and a wall painting, variable size, 2012
…alive, but Kiga was missing, still…, oil on canvas, variable dimensions, 2012
A Century of German Painting, time, pigments and several different materials, 100×100 cm, 2103
From story to story, blue playdoh paste, 7,5 x 25 x 26 cm, podium 20 x 18 x 101 cm, 2013
A helmet without a head, ceramic, diameter 21 cm, high 26 cm, 2013
Installation comprenant de gauche à droite : « …alive, but Kiga was missing, still… » / « Un casque sans tête » / « Der blaue Pferd » / « Un siècle de peinture Allemande » Dimensions variables
every place is a good place
nocturne (détail), oil painting, 2014
Nocturne (ou paysage nocturne), oil painting, 2014
Night drawing, ink on the back of an already printed leaf of paper, A4, 2012
Thousand Titles, framed photography, 100 x 70 cm, 2010
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
Marine Art, Ultramarine oil painting on canvas, 100×100 cm, 201
Marine Art (detail), Ultramarine oil painting on canvas, 100×100 cm, 2012
A jumped rope or a coat rack, metal hook, rope engraved in plaster in cluded in a wall, variable size, 2009
A rope (detail)
A rope, wood, engraved by a machine, 170 x 40 cm, 2009
The Invisible Cat, « gauffrage » of a cat’s head on paper, framed, 15 x 30 cm
Mount Analogue’s quest, OSB wood, fabric, 100 x 110 x 110 cm, 2009
Mount Analogue’s quest (detail)
Table and her foot, wood and black paint, 200 x 200 x 30 cm, 2008
Table and her foot, wood and black paint, 200 x 200 x 30 cm, 2008
Ambiguous shape, installtion with a bender’s steel plate, four wood plate barely in equilibrium and a picture of a building, all the same high, 2009
Tu diras que le dernier degré de l’art littéraire est d’empreindre l’idée dans la forme (in Les illusions perdues written by Balzac, 1837), footprint highlighted by graphite, size 42 (9,5), 2009
magasinage, intervention sur la revue code 2.0, 2013
Immutable blue of noon
Mimetism, 2014, 100 x 75 cm
the space
Ladylike, installation, 2014
Ladylike (detail) installation, 2014
Ladylike (detail) installation, 2014
the skin, oil painting « skin pink » color, 100 x 100 cm, 2014
every place is a good place
dialectism, oil painting, 2012
dialectism, oil painting, 2012
Nocturne (ou paysage nocturne), oil painting, 2014
nocturne (détail), oil painting, 2014
Olympia, the morning of the lady’s Mont-Blanc ascension
Olympia, the sky the day before the lady’s Mont-Blanc ascention
Olympia, the sunset on the 30th of march
Exhibition view of Montrouge 2014
Exhibition view of Montrouge 2014
Exhibition view
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Olympia, the lady’s Mont-Blanc ascension (video still), video 240 min
Multiverse, Painter’s name, date of creation. wood, paint, plaster, re-action painting hanging on the ad wall
Multiverse, Painter’s name, date of creation and Multiverse, Once Upon A Time (view of the photography from the back). wood, paint, plaster, re-action painting hanging on the ad wall, photography hanging on the ad wall, in the « in building » section
Multiverse, Once Upon A Time. wood, paint, plaster, photography hanging on the ad wall, in the « in building » section.
Revolution. centring element used as a compass to engrave circles on the wall
Multiverse, Revolution. detail
Multiverse, Revolution. centring element used as a compass to engrave circles on the wall
A Century of German Painting, time, pigments and several different materials, 100×100 cm, 2103
Installation comprenant de gauche à droite : « …alive, but Kiga was missing, still… » / « Un casque sans tête » / « Der blaue Pferd » / « Un siècle de peinture Allemande » Dimensions variables
A helmet without a head, ceramic, diameter 21 cm, high 26 cm, 2013
…alive, but Kiga was missing, still…, oil on canvas, variable dimensions, 2012
From story to story, blue playdoh paste, 7,5 x 25 x 26 cm, podium 20 x 18 x 101 cm, 2013
Soul spirit, rosmarino’s juice (from Italo Calvino’s thumb), 2013
Mona Lisa 2013, 2013, 100 x 75 cm
Déviation, 2012, 100 x 75 cm
The Fake Wall, print on PVC reproduces the wall of a building below a restoration site, fixed on a canvas 100 x 100 cm and hang on a plaster « plug » placed to subdue the space, 2012
The Wall, print on PVC reproduces the wall of a building below a restoration site, fixed on a canvas 100 x 100 cm, 2012
The Invisible Cat, « gauffrage » of a cat’s head on paper, framed, 15 x 30 cm
Revelation, ink on glass, light spot, variable size, 2012
Revelation (detail)
Night drawing, ink on the back of an already printed leaf of paper, A4, 2012
Space Time Travel, pigment on paper, 100 x 75 cm
Revolution, steel tube used as a compass to engrave semi circles in the adjacent room, 2012
Revolution. centring element used as a compass to engrave circles on the wall
Revolution, steel tube used as a compass to engrave semi circles in the adjacent room, 2012
Revolution (detail)
Revolution (detail)
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2012
Watch the Abyss, oil on canvas, 100×100 cm, 2012
Atelier’s painting, time, several material left by the previous artists on the soft goods wallpaper of my atelier in Vienna100 x 100 cm, 2012
Ohne Titel, 2012, 50 x 70 cm
Tuteur, street’s sign – the wood stick – put against a wall painted with the very same pattern – orange and black stripes – acrylic, variable size, 2012
Impressions N&B, 2012, 100 x 75 cm
Marine Art, Ultramarine oil painting on canvas, 100×100 cm, 201
Marine Art (detail), Ultramarine oil painting on canvas, 100×100 cm, 2012
The Wall, installation with The strategy of waiting, the picture of an 1945’s soldier, Ohne title and a wall painting, variable size, 2012
The Apocalypse of St Morris/ DIE Florient Pugnaire, wood, 160 x 86 x 86 cm, 2011
The Apocalypse of St Morris/ DIE Florient Pugnaire, wood, 160 x 86 x 86 cm, 2011
Pattern, wood, acrylics paints, 100 x 67 cm, 2010
Les métamorphoses : de la grille jusqu’au vide, 2011, 50 x 50 cm
Architecture informatique, framed print, 50 x 100 cm, 2011
Architecture informatique, framed print, 50 x 100 cm, 2011
Les hommes de l’ombres découpant de la fonte au chalumeau, 2011, 50 x 70 cm
Light box, light and plexiglas pieces put in already there metal structur, 2011
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2011
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2011
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2011
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2011
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
Name of the original artist, date of the work, paint on canvas, 165 x 165 cm, 2010
View from the north’s window of the Villa Cameline, north’s window of the house took off and framed, a new glass was exchanged with it, 90 x 40 cm, 2010
Saint Jordan, circle’s neon founded in the stair case shifted, 2010
From here to there, a little rope broken in two pieces founded in frankfurt, 2010
From here to there, a little rope broken in two pieces founded in frankfurt, 2010
Les rencontres
Once Upon A Time, framed photography, 50 x 100 cm, 2010
The average colors of the universe, paints edition of the different average colors of the universe calculated by the NASA
Cosmic spectrum green, the wrong average color of the universe, wall painting while HIC exhibition at Villa Arson center of art, 2010
Cosmic Spectrum Green, the wrong average color of the universe, acrylic paint on the surrounding architecture, 2012
Cosmic Spectrum Green, the wrong average color of the universe, acrylic paint on the surrounding architecture, 2012
![«C’est bizarre... Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. [...] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19), photographie du pic de Bugarach dans une caisse américaine, bloc de fonte trouvé dans la rue, 45 x 60 cm et 20 x 10 cm, 2010](https://i0.wp.com/nicolashmuller.com/wp-content/uploads/2013/06/cest-dingue1.jpg?w=163&h=120&ssl=1 "«C’est bizarre... Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. [...] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19)")
«C’est bizarre… Je sais que ça a l’air dingue mais depuis hier déjà, sur la route, je la vois partout cette forme. […] ça signifie quelque chose, c’est important.» Roy Neary (Richard Dreyfuss) dans Rencontre du troisième type (41’19), photographie du pic de Bugarach dans une caisse américaine, bloc de fonte trouvé dans la rue, 45 x 60 cm et 20 x 10 cm, 2010
Statement, polaroid into a square « Marie louise », frame, 30 x 30 cm, 2010
Cette apres midi la…, founded aquarel on fake wall displayed in the space, 2010
Cette apres midi la…, founded aquarel on fake wall displayed in the space, 2010
La pièce manquante, tube en acier (à gauche) provenant du système de chauffage (à droite), diamètre 16 cm, longueur 7 cm sur socle de même diamètre d’une hauteur de 17 cm, 2012
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2010
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2010
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2010
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2010
L’endroit du décor, acrylic paint and model of the space in cardboard find in garbage, variable size, 2010
Combination of circumstances, photography of an house under water stick on water damaged wood, 50 x 75 cm, 2009
Tu diras que le dernier degré de l’art littéraire est d’empreindre l’idée dans la forme (in Les illusions perdues written by Balzac, 1837), footprint highlighted by graphite, size 42 (9,5), 2009
From far away it hurts the eyes, inclusion of a monolythes of my sizes in the landscape, 2010
Thousand Titles, framed photography, 100 x 70 cm, 2010
The fallen angel, plaster, carpet, straps, 65 x 120 x 80 cm, 2010
The fallen angel, plaster, carpet, straps, 65 x 120 x 80 cm, 2010
A jumped rope or a coat rack, metal hook, rope engraved in plaster in cluded in a wall, variable size, 2009
Birdie, computer open on 3D software in which a bird is drew, size of laptop, 2010
Birdie (detail)
Mount Analogue’s quest, OSB wood, fabric, 100 x 110 x 110 cm, 2009
Mount Analogue’s quest (detail)
Ambiguous shape, installtion with a bender’s steel plate, four wood plate barely in equilibrium and a picture of a building, all the same high, 2009
A rope, wood, engraved by a machine, 170 x 40 cm, 2009
A rope (detail)
A square of polyurethane on a white wall, 2009
Exercises in Style, ink on paper on wood, 122 x 250 cm, 2009
System error, grey paint on wood, engraved by a machine, 170 x 40 cm, 2009
System error (detail)
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
The necessity of potency, computer drawing on landscape, variable size, 2008
Architecture’s Reflection, framed photography, 50 x 75 cm, 2008
in situ, plaster fixed on windows, variable size, 2008
Cadavre sexy, dessin à quatre pattes, paint on wall, with Jerome Allavena, variable size, 2008
Table and her foot, wood and black paint, 200 x 200 x 30 cm, 2008
Table and her foot, wood and black paint, 200 x 200 x 30 cm, 2008
In context, letter from the director of the musée de l’école de médecine militaire de Rochefort of the object that result of my intervention there, 2008
